In 2020, the COVID-19 swept the world, nearly million people have died from this disease. Despite the efforts of all sectors, the COVID-19 has been effectively brought under control, but the crisis has still changed our lives in various ways, leaving scars in the hearts of the big times and individuals, and is still continuing... As a student from China, I have gone through the transition from the most dangerous to the safest environment in a few months, and I am determined to remember this historical period with artistic creation—a stop-motion animation. This wonderful way of presentation not only contains every frozen in the moment, but also tricks the eye of the audience in the way of acceleration, turning the photo into a pulsating picture. In the choice of content, I gave up the fictions full of ‘drama’. The expression does not use complex lens language and blurs the dialogue language. Let the audience focus on ‘me’ and present it naturally in the way of recording as much as possible, so as to avoid the irreconcilable contradictions such as "cultural discount" when different audiences watch it. During the broadcast of the short film, each pause is a real moment, and this continuous 2 '57 " time is indeed 3/4 of my time in 2020!
2020 x 75%—Ye Tian ( Stop motion Animation)
In 2020, the COVID-19 swept the world, nearly million people have died from this disease. Despite the efforts of all sectors, the COVID-19 has been effectively brought under control, but the crisis has still changed our lives in various ways, leaving scars in the hearts of the big times and individuals, and is still continuing... As a student from China, I have gone through the transition from the most dangerous to the safest environment in a few months, and I am determined to remember this historical period with artistic creation—a stop-motion animation. This wonderful way of presentation not only contains every frozen in the moment, but also tricks the eye of the audience in the way of acceleration, turning the photo into a pulsating picture. In the choice of content, I gave up the fictions full of ‘drama’. The expression does not use complex lens language and blurs the dialogue language. Let the audience focus on ‘me’ and present it naturally in the way of recording as much as possible, so as to avoid the irreconcilable contradictions such as "cultural discount" when different audiences watch it. During the broadcast of the short film, each pause is a real moment, and this continuous 2 '57 " time is indeed 3/4 of my time in 2020!
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