Bodies, forms, vessels and the objects that occupy them are at the core of my practice. These objects act as stand in’s or extensions of the human body, which are used to interrupt and subvert the space in which they occupy. The construction of the feminine as object and landscape in traditional irish folklore, mythology and gender politics is the primary concern of my practice. In irish folklore and traditional mythology, the female is propagated as a vulnerable and untrustworthy entity, and similarly with the irish landscape, as rugged, unruly and untamed. In many of these tales, irish women would wander beyond the boundaries of their environment, and would fall victim to fairy abductions; wherein they would be taken to, and held within an ‘otherworld’. Taking this notion of the irish female body as condemned entity, I explore an alternative female body- something which is unrecognisable in its appearance and forms, yet somehow inherently human. I like to re-imagine the female environment, its insides, textures, masses and lumps, and transform it into an otherworldly space. Using video, drawing, augmented reality and installation, I am reimagining an alternative female otherworld; a new environment, filled with alien forms and unreal objects.

'Wet across; slippery within. I' 2020

Video Still, augmented reality sculpture in situ.

'Wet across; slippery within. II' 2020

Video Still, augmented reality sculpture in situ.

'Wet across; slippery within. III' 2020

Video Still, augmented reality sculpture in situ.

'Wet across; slippery within. IIII' 2020

Video Still, augmented reality sculpture in situ.

'Wet across; slippery within. IIIII' 2020

Video Still, augmented reality sculpture in situ.

'Wet across; slippery within' 2020

Video, augmented reality sculpture in situ.

'Wet across, slippery within I', 2020

Video, augmented reality sculpture in situ.

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