Writing in Trees explores the possibility of nature producing a language of its own— one that is structured not by words, but by growth. Drawing inspiration from the formation logic of Chinese seal script (Zhuanshu) and the branching patterns of trees in Kew Gardens, the project investigates the visual parallels between calligraphy and natural structures. Rather than transforming text into organic forms, this project reverses the relationship: tree structures lead the creation of a new calligraphic system. Through this lens, 22 unique glyphs were developed—non-verbal, abstract characters that carry the gestural quality of writing without semantic meaning. These glyphs were then materialised in hand-blown glass, a medium chosen for its fluidity and fragility. The resulting sculptures echo the movement of ink on paper, embodying the rhythm, breaks, and continuity of brushstrokes. Light flows through these forms, enhancing their sense of silent expression.
"Pith" light on
When "Pith" lights up
In nature
"Pith" and "Trunk"
"Pith" light on
When "Pith" lights up in living space
"Trunk"
In nature
"Pith"
In nature
"Trunk"
"Trunk"with thin lines
All the work
Detail shot
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